Format:
Book
Author:
Title:
Edition:
First United States edition.
Publisher, Date:
New York : Reagan Arthur Books / Little, Brown and Company, 2013.
Description:
xi, 529 pages ; 25 cm
Summary:
"What if you could live again and again, until you got it right? On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she? Darkly comic, startlingly poignant, and utterly original -- this is Kate Atkinson at her absolute best"-- Provided by publisher.
Subjects:
Genre:
LCCN:
2012046158
ISBN:
9780316176484 (hardback)
0316176486 (hardback)
Control Number:
831366
Other Number:
806015209
Copies in Morris County Library:0 (of 1)
Copies in all libraries:40 (of 41)
Current Holds:
1
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"What if you could live again and again, until you got it right? On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war. Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she? Darkly comic, startlingly poignant, and utterly original -- this is Kate Atkinson at her absolute best. "-- - (Baker & Taylor)

Follows the experiences of a woman, who after being born on a snowy night in 1910, repeatedly dies and reincarnates into the same life to correct missteps and ultimately save the world. - (Baker & Taylor)

The award-winning author of Behind the Scenes at the Museum follows the experiences of a woman who after being born on a snowy night in 1910 repeated dies and reincarnates into the same life to correct missteps and ultimately save the world. 75,000 first printing. - (Baker & Taylor)

What if you could live again and again, until you got it right?

On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.

Does Ursula's apparently infinite number of lives give her the power to save the world from its inevitable destiny? And if she can -- will she?

Darkly comic, startlingly poignant, and utterly original -- this is Kate Atkinson at her absolute best.

- (Grand Central Pub)

Reviews

Booklist Reviews

*Starred Review* In a radical departure from her Jackson Brodie mystery series, Atkinson delivers a wildly inventive novel about Ursula Todd, born in 1910 and doomed to die and be reborn over and over again. She drowns, falls off a roof, and is beaten to death by an abusive husband but is always reborn back into the same loving family, sometimes with the knowledge that allows her to escape past poor decisions, sometimes not. As Atkinson subtly delineates all the pathways a life or a country might take, she also delivers a harrowing set piece on the Blitz as Ursula, working as a warden on a rescue team, encounters horrifying tableaux encompassing mangled bodies and whole families covered in ash, preserved just like the victims of Pompeii. Alternately mournful and celebratory, deeply empathic and scathingly funny, Atkinson shows what it is like to face the horrors of war and yet still find the determination to go on, with her wholly British characters often reducing the Third Reich to "a fuss." From her deeply human characters to her comical dialogue to her meticulous plotting, Atkinson is working at the very top of her game. An audacious, thought-provoking novel from one of our most talented writers. HIGH-DEMAND BACKSTORY: Atkinson's publisher is pulling out all the stops in marketing her latest, which will no doubt draw in many new readers in addition to her Jackson Brodie fans. Copyright 2012 Booklist Reviews.

Library Journal Reviews

Atkinson's debut, Behind the Scenes at the Museum, won the Whitbread Book of the Year Award; best sellers like Started Early, Took My Dog give a whole new meaning to the idea of smart suspense. Here, on a cold, snow-blown night in 1910, Ursula Todd is born to an English banker and his wife and promptly dies. But wait, Ursula Todd is born in 1910 and lives, growing, living, dying, and living over and over again as the events move toward World War II. Perhaps those multiple lives could allow her to redirect a fraught and dangerous century.

[Page 58]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Reviews

Life after life after life: Atkinson's telling title suggests not some glorious afterworld but the structure of this remarkable novel, about an English girl born in February, 1910. In fact, Ursula is stillborn in an opening chapter but emerges a lusty babe in the next; Whitbread Award winner Atkinson (Behind the Scenes at the Museum) then hopscotches through time, circling back to offer alternate versions of Ursula's life. Did Ursula endure an unwanted pregnancy, see her brother die of influenza, enter into a sour marriage—or not? Did she survive World War II Britain or instead marry a German and face down Hitler, a gun in her hand? One brief passage shows Ursula musing with a doctor about her fugue states, but Atkinson doesn't waste time belaboring the idea, instead delivering a clear understanding that one life can take different avenues—and what a difference that can make. Atkinson works both large and small, capturing the sweep of history while perfectly rendering the dynamics of Ursula's loving, contentious family: gentle father Hugh, disappointed mother Sylvie, generous sister Pamela, and more. VERDICT Highly recommended. [See Prepub Alert, 10/28/12 and Editors' Picks, LJ 2/15/13, "Editors' Spring Picks."]—Barbara Hoffert, Library Journal

[Page 98]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Library Journal Reviews

Ursula Todd was born in 1910 and is fated to die and be reborn over and over until she "gets it right." Does Ursula's apparently infinite number of lives give her the power to prevent two world wars? Love it or hate it, this darkly comic novel by the winner of the Whitbread Award will stick with you. (LJ 3/15/13) (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Reviews

Atkinson's new novel (after Started Early, Took My Dog) opens twice: first in Germany in 1930 with an English woman taking a shot at Hitler, then in England in 1910 when a baby arrives, stillborn. And then it opens again: still in 1910, still in England, but this time the baby lives. That baby is Ursula Todd, and as she grows up, she dies and lives repeatedly. Watching Atkinson bring Ursula into the world yet again initially feels like a not terribly interesting trick: we know authors have the power of life and death. But as Ursula and the century age, and war and epidemic and war come again, the fact of death, of "darkness," as Atkinson calls it, falling on cities and people—now Ursula, now someone else, now Ursula again—turns out to be central. At heart this is a war story; half the book is given over to Ursula's activities during WWII, and in its focus on the women and civilians usually overlooked or downplayed, it gives the Blitz its full measure of terror. By the end, which takes us back to that moment in 1930 and beyond, it's clear that Atkinson's not playing tricks; rather, through Ursula's many lives and the accretion of what T.S. Eliot called "visions and revisions," she's found an inventive way to make both the war's toll and the pull of alternate history, of darkness avoided or diminished, fresh. Agent: Kim Witherspoon, Inkwell Management. (Apr. 2)

[Page ]. Copyright 2012 PWxyz LLC

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